We went to Canyonlands National Park a few years ago and it has been on my list to paint since then. Mesa Arch is the place I’ve had in my to-paint folder from this trip, but I have taken a while to decide how to tackle it. I think as the process for this is different than most of the images I paint, I want to share with you the way I am going about it.
Here you can see the arch and the landscape beyond it in detail. To get this photo I was standing close to see through the arch, and using the panorama setting on my phone to include the arch itself in the image. This causes a fisheye affect to the arch as it’s up close, while keeping the landscape beyond accurate to what is there. The tone of this image is also coming off really warm.
This photo is taken at a bit of an angle to the arch and while it obscures most of what is in the distance, it keeps the foreground very accurate and shows that there is a bump with the arch going over it so you see the full shape of the arch.
This image best shows the landscape through the arch.
This shows the arch in the angle I want to paint it from, but having to back up to this distance it blurs the background and I want to include that in my painting in more detail. It also has the most light reflected off the rock and so has a very light color. I plan to paint with more staurated color than this.
My goal is to paint the arch where I can keep it accurate to it’s shape without distortion and to paint the background in detail to have it framed by the arch. I am painting it on a 24"x8” birch panel in acrylic. This means I am essentially making a composite image where the arch is from photos taken from a distance and the background is taken from standing at the edge of the arch. Here I have gotten the shape of the arch down.
In this progress picture I have started working on the background. It’s important to work the background before the foreground, so the arch is really there as more of a placeholder than anything.
The National Parks are for all of us.